An Indolent and Blundering Art?: The Etching Revival and the Redefinit
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Descrição
First published in 1999, Chambers explores English etching changed that radically during the nineteenth century. This book looks into the freedom and directness of the etching process became a key plank in a sustained attempt to raise the status of etching in Britain spearheaded by artists such as Francis Seymour Haden and James McNeill Whistler and members of the Etching Club. An Indolent and Blundering Art? Opens with a description of the use of language and art criticism to redefine etching
The Three Trees Harvard Art Museums
An Indolent and Blundering Art?: The Etching Revival and the Redefinition of Etching in England (Routledge Revivals): Chambers, Emma: 9781138314665: : Books
Article: The Moran Collection at Gilcrease: Opportunities for New Understandings - Gilcrease Museum
Exhibition Culture: Links
Creative Self-fashioning (Chapter 2) - The Right to Privacy
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Etching Revival - the re-emergence of etching as an art form - Robert Hall
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The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain, The Antiquaries Journal
Etching Revival - the re-emergence of etching as an art form - Robert Hall
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